‘It appeared that Salaam Namaste is a movie forward of its time’: On the fifteenth anniversary of his cult-classic, film-maker Siddharth Anand is revealing why he selected to direct this unconventional romance movie and is telling YRF Siddharth Anand is among the many most profitable younger film-makers of India at the moment about his 19-year journey with India. Last 12 months, this writer-director gave India the very best grossing movie of the 12 months, ‘War’! On the fifteenth anniversary of his first movie Salaam Namaste, Siddharth is narrating how his unconventional romantic comedy is usually known as forward of his time.
Siddharth says- “I feel ‘Salaam Namaste’ was elevating a problem which was thought-about taboo or not a lot talked about, but it surely was in India or overseas Indian society I used to be very fashionable. Even although it appeared to be a movie forward of its time, the factor is that no shameful or surprising work was completed intentionally inside the movie and there was no try and do something unusual. When the movie was releasing and we began publicizing the live-in relationship proven in it, I actually felt on the identical time that we had been going to do one thing fully new! ”
He additional provides, “I had made completely no effort to do something completely different or new. It was in such a method that okay, they’re sharing the freight and now they’re getting blended up with one another, so they’ll keep in the identical room from two rooms. This is stay in. So it was natural. There was nothing embarrassing or surprising in it. I wished to indicate one thing like this new and nonchalant. It was very natural and I feel that is what made us profitable. We didn’t attempt an excessive amount of and it was not even compelled into the viewers’s mouth. This is the rationale that this movie sparked an important dialogue in our society about Indians residing collectively with out marrying. ”
Siddhartha has additionally accomplished 19 years of his extremely profitable artistic partnership with YRF with the help of Salaam Namaste, he says, “15 years of my journey as a director with Salaam Namaste accomplished. My journey with YRF has been a bit longer than this. I began working with YRF in 2001. People say that it is sort of a household, it’s the banner of the home, that is what you’ll hear from everybody’s mouth, however there may be additionally full fact in it. ”
He explains, “I really feel that I’ve lastly grow to be so connected to my viewers with the assistance of ‘War’, that now they anticipate one thing from me that pushes the boundaries. With ‘War’, we actually ready a spectrum of motion movie, which we promised on the time of its launch. It was an enormous promise however the viewers would additionally settle for that we fulfilled that promise. Apart from the best way by which I shoot my romantic comedy, somebody instructed me that they’ve been shot like motion movies. He had mentioned this concerning the movie’s dynamics when it comes to scale and visible attraction of the movie and instructed that all of it seems like an motion movie. So the transition from romantic comedy to motion movie was form of pure to me. Whatever choice I select, the form of movies I need to make, I’ve to work past my capabilities. ”